Previously, this functionality was implemented in context-dependent operators. Considering that Korman is becoming increasingly complex and is now generating entirely new objects (potentially with modifiers) as part of its export process, it was becoming cumbersome to use those operators.
In an attempt to address #359, I separated 3D stereo sounds into
separate emitter scene objects and allow the engine to position them
around the listener such that the left channel is actually on the left
of the listener (and the same for the right channel). Unfortunately,
this did not fix the bug in question. However, the code that interfaces
with sounds from the outside is now much simpler, and the improved
behavior is a win, IMO, so let's keep this.
Previously, the indentation level was hardcoded everywhere. This was
tedious before in that changing the log structure would require changing
many manual indentation values. Now that objects can be trivially
generated at export time, the export code might be much more nested that
before. So, it's better to let indentation be more implicit. This,
therefore, adds a context manager to increase the indentation using
`with` blocks. Manual indentation specification remains for
compatibility with Python 2.2 where required.
This adds a page type distinction. It will primarily be geared toward
things like GUIs and avatar animations. However, for now, we can abuse
it to allow externally created pages, such as those created by PRPShop
hacking (for particles) or from 3dsMax (avatar animations, GUIs, etc.)
to coexist more easily with our Korman-generated .age files.
- The object the modifier is on is now the clickable (matches the
behavior of journals).
- Improved object selector icons.
- Automatically generate a clickable region.
- Alert if no camera is set.
If a wind object is *not* animated but rather moved via logic nodes (eg
a Python script), then the previous logic wouldn't allow for the in-game
wind direction to change. It's important to check if the wind object has
a coordinate interface (can it move?) instead of if it's animated (did
the artist move it?).
Adds the "Local Only/kIsLocalOnly" property to sound emitters. Dependent on the kPropIsLocalOnly attribute, which still needs to be added to libHSPlasma.
Exports a collider that should hopefully block only dynamic objects (kickables). Also, some formatting adjustments to the properties script to match others (this can be undone if wanted)
I don't really want to talk about it. *Gulp*. Anyway, you define
multiple animations on either the animation modifier or the textures
panel. The UIs have all been unified. By default, you have an "(Entire
Animation)" that represents the old single animation. You may create
additional sub-animations over an arbitrary range of keyframes. Once
other animations are defined, the "(Entire Animation)" may be deleted.
However, if all subanimations are deleted, the "(Entire Animation)" will
resurect itself with its last known settings.
Behavior change: object animations (except for fixed cameras) now
REQUIRE an animation modifier be attached to export. It is now an error
to attach an animation modifier to any camera except for a fixed camera.
This fixes a number of long standing chicken and egg problems that could
prevent opacity animations from working properly on RT-Lit materials.
Also addresses a number of odd situations where the lighting results
might drastically change in unexpected ways.
The default definition of `pre_export()` (for documentation purposes)
was hiding the real default implementation of `pre_export()`, causing
any modifiers relying on said default implementation to export nothing.
Patrick Dulebohn
Jrius
